Debt Neglector (members of New Mexican Disaster Squad & No Friends)
and Queen City dab-core/punk trio Aloha Broha
with special guests to be announced soon
8:00 PM DOORS / 9:00 PM SHOW / AGES 18 & UP
$7 in advance / $7 day of show (+$2 surcharge for under 21, collected at the door)
BUY TICKETS HERE: https://www.ticketfly.com/purchase/event/1695182
@ The Milestone Club (est. 1969)
3400 Tuckaseegee Road (between Karendale & Glenwood)
Charlotte, North Carolina 28208
for booking e-mail WYLEYBUCKBOOKING@GMAIL.COM
Party in the Park is a weekly concert series that makes Romare Bearden Park THE place to be on Wednesday nights! Bring a picnic and lawn chairs or a blanket and come enjoy the music and friendly ambiance of the park. Food and beverage vendors will be available on site.
Our performer for June 20 is The Tams. They have been entertaining audiences for over 50 years, and while their music has historically been considered beach music, it can also be classified as a mixture of smooth soul and R&B.
This event is FREE.
You can view the full lineup for the 2018 Party in the Park concert series here: https://meck.co/2qs7XkD
The best after work party, Alive After Five presents…
Snap is starting off the night this Thursday May, 17th! Following is Appetite for Destruction is the ultimate tribute to Guns n’ Roses!
The best after work party, Alive After Five, has been going for 18 YEARS STRONG! We’re back this year with more live music! Bands will be starting right at 5pm so be sure not to be too fashionably late! That’s right we said BANDS, this year we will be having two bands every Thursday so the live music never stops all night long! Don’t even get us started on our new craft beer line up, we weren’t lying when we said better than ever!
With Epicentre’s prominent uptown location, whether you are walking, using many of the convenient parking options or hoping the city light rail you can access Charlotte’s #1 weekly event. Come enjoy the best crowd, entertainment, and nightlife that Charlotte has to offer in 2018.
Follow us for possible VIP giveaways and more!
Official after-parties will be held at Rooftop 210, Whisky River, BlackFinn, SUITE, Vida, and StrikeCity.
THE SHEEPDOGS – CHANGING COLOURS
Ewan Currie – vocals, songs, guitars, clarinet, drums
Ryan Gullen – bass, backing vocals
Sam Corbett – drums, backing vocals
Shamus Currie – keyboards, trombone
Jimmy Bowskill – guitars, mandolin, fiddle, banjo, pedal steel
For a new album that The Sheepdogs didn’t initially set out to make, Changing Colours is a stunning achievement.
Proud purveyors of guitar-driven modern-day retro rock, the triple Juno Award-winning Saskatoon-based quintet has expanded its sound on Changing Colours to encompass more styles and hues to enhance the Sheepdogs’ trademark beef-and-boogie twin-axe riffs, hooks, shuffles and long-haired aesthetic.
“We identify strongly with rock ‘n roll, but there’s definitely some branching out,” says Ewan Currie, The Sheepdogs’ singer, guitarist, songwriter and occasional – and yes, you’re reading this correctly – clarinetist. “The sounds we use on this – there’s more keyboards featuring Shamus and more stringed instruments. It’s still rock ‘n roll but there are more colours.”
It’s also great, passionate music born out of spontaneity: first resonating in the 17-song album’s euphoric opener “Nobody” and continuing to flavour such invigorating numbers as the electrifying “Saturday Night” and the driving “I’ve Got A Hole Where My Heart Should Be,” the record’s infectious first single.
But The Sheepdogs haven’t only stretched their sonic palate: they’ve also expanded stylistically, tastefully embracing other genres as well.
There’s the country-lite feel of “Let It Roll,” the Stax-soul aura of the mid-tempo anthem “I Ain’t Cool” that features trombone — and the resplendent Latin-rock vibe that fuels “The Big Nowhere.”
This is what occurs when The Sheepdogs are left to their own devices:
when the band completed its global responsibilities in promoting its fifth album, 2015’s Future Nostalgia, the band took a busman’s holiday, renting Toronto’s Taurus Studio and hiring its owner, Thomas D’Arcy, to engineer and co-produce whatever emerged from their creative loins.
Pax Imperium is a Progressive Jam band with strong influences of fusion, trance, jazz and instrumental rock! We’re all looking for to the Queen Park Social. Show is FREE!
In the lush tobacco fields of North Carolina where BJ Barham was raised, people work hard. Families stay nearby, toiling and growing together. BJ loves those farms and his tiny Reidsville hometown, but he had to run off and start American Aquarium, a band now beloved by thousands.
BJ couldn’t stay. But he couldn’t really leave, either: he’s still singing about the lessons, stories, and lives that define rural America––and him.
“I moved to the big city to go to college and fell in love with music,” BJ says. “But half the songs on our record are about small towns––little pieces of my childhood. I’ve had moments where it turns out a piece of broken English my father repeated twice a week is the most accurate way to say something. So I put it in a song.”
American Aquarium’s seventh studio album Things Change offers the band’s finest collection of folk-infused Southern rock-and-roll to date. Stacked with BJ’s signature storytelling––always deeply personal but also instantly relatable––the record questions and curses current events, shares one man’s intimate evolution, and leaves listeners with a priceless gift: hope.
“In my early 20s, I was not as hopeful,” BJ says. “Now, as I’m getting ready to become a father, I think I have to be hopeful––especially with the situation our country is in now. For her sake, I have to be positive.” He pauses. “Her” is his daughter, due in the spring of 2018. BJ adds, “Being self-aware has always been a blessing and a curse. But that’s what’s always made my songwriting relatable to people. I don’t hold back. I’m almost too honest.”
BJ’s candor has fueled American Aquarium’s runaway appeal, visible most clearly in consistently sold-out shows across the country and throughout Europe – between 200 and 250 dates a year. Much has changed for the band and BJ since their acclaimed last effort, Wolves. In 2017, every American Aquarium member save BJ quit the group. American Aquarium has featured about 30 players since BJ founded the outfit in 2006, and while each member has left indelible marks, the band has always been anchored by the literary songs and sometimes roaring, sometimes whispering, drawl of BJ Barham. BJ’s personal life also underwent seismic shifts: He got sober.
He got married. Soon, he’ll be a dad.
Featuring a new band lineup that includes Shane Boeker on lead guitar, drummer Joey Bybee, bassist Ben Hussey, and Adam Kurtz on pedal steel and electric guitar, as well as a reinvigorated frontman in BJ, Things Change is American Aquarium’s first release on a label after selling thousands of records on their own. “As an artist, your goal is for the newest thing you do to be better than the last. You’re slowly whittling away the bullshit to try and get to the truth,” BJ says. “With this album, I learned how to cut some of that fat so that it’s just truth. It’s our best record.”
Recorded at 3CG Records in Tulsa, Oklahoma, Things Change was produced by Grammy- nominated singer-songwriter John Fulbright and features cameos from Americana standouts including John Moreland and Jamie Lin Wilson. Brazen album opener “The World is on Fire” is a richly layered rock-and-roll anthem that documents BJ and his wife’s stunned reaction to the last presidential election. Emotional and conversational, the song taps into widespread feelings of confusion and fear: “She said, ‘What are we going to do? What’s this world coming to?’ For the first time in my whole life, I stood there speechless.” But what begins as despair builds into defiant faith, as BJ growls a call to action to cap off one of his favorite songs he’s ever written. “I’m complaining about the state of things, and then the third verse almost serves as a challenge to myself: hey, you’re in charge of another human being. You can create change,” he says.
Driving rock-and-roller “Crooked + Straight” explores the small-town consequences of questioning religion, and the tightness of family in the face of one member’s rejection. His father’s advice anchors the song. “I come from a blue-collar family. I’m the only one who didn’t go into farming. I learned if you want something, you have to go out and take it. You can’t expect anything from anybody,” BJ says. “You can only go out there and work harder. My dad always said you can outwork anybody else.” Love for hard work and the people who carry it out appears repeatedly throughout Things Change. Guitar-heavy “Tough Folks” is a snarling ode to those with dirt under their fingernails, while bass- and pedal-steel-infused “Work Conquers All” spins a tale in praise and pursuit of Oklahoma’s state motto.
The album’s love songs are the kind of achingly beautiful that only comes with maturity and a willingness to expose one’s own flaws. Haunting “Shadows of You” recalls a lover’s flight as the protagonist longs for what he let get away. Gorgeous “Till the Final Curtain Falls” celebrates loyalty and pledges endless devotion. The moving title track takes an often doleful topic–– people’s tendency to change––and turns it on its head, tracing BJ’s personal growth and recognizing his now-wife’s steadfast love.
BJ’s other two favorite tracks are album standouts. Moving “When We Were Younger Men” addresses the break-up of American Aquarium head on. As BJ professes love for his former bandmates over stripped down acoustic guitar, his voice is honeyed and deep. “It’s an open letter to five guys who I spent eight years of my life with seeing the entire world,” BJ says. “I think anyone who has ever had to walk away from a friendship or has had somebody walk away from them will relate to the song.” Stunner “One Day at a Time” is self-perceptive and vulnerable, detailing BJ’s battles with himself. Even within his career full of well-written gems, the song is a towering accomplishment.
“At the end of the day, if you’re not writing songs to affect other people’s lives, you’re in it for the wrong reasons,” BJ says, reflecting on the new album, where he’s been, and where American Aquarium is headed. “Money may come and go. You may never get fame. But if you sit down and write songs to affect people, you can do it your whole life and be happy.”
Start Time: 8:00
Chuck Johnson is a composer and musician residing in Oakland, CA. He approaches his work with an ear towards finding faults and instabilities that might reveal latent beauty, with a focus on guitar, experimental electronics, minimalism and soundtrack composition. Recordings of his work have been published by VDSQ, Trouble in Mind, Scissor Tail, Merge, and Three Lobed, among others.